MARIA LOBODA

Maria Loboda. Havoc in the Heavenly Kingdom. 2017. Kunsthalle Basel. Exhibition view Maria Loboda. Havoc in the Heavenly Kingdom. 2017. Kunsthalle Basel. Exhibition view Maria Loboda. Havoc in the Heavenly Kingdom. 2017. Kunsthalle Basel. Exhibition view Maria Loboda. Havoc in the Heavenly Kingdom. 2017. Kunsthalle Basel. Exhibition view  Maria Loboda. I am radiant, I am radiant, I am radiant in my defeat, 2017. CAC Vilnius. Exhibition view  Maria Loboda. I am radiant, I am radiant, I am radiant in my defeat, 2017. CAC Vilnius. Exhibition view  Maria Loboda. To separate the sacred from the profane, 2016. The Vanished Reality,  Modern Art Oxford. Exhibition view  Maria Loboda. To separate the sacred from the profane, 2016. The Vanished Reality,  Modern Art Oxford. Exhibition view  Maria Loboda. Mmmmhhmmmmm, 2016. Exhibition view. Cab de Burgos, Burgos, Spain  Maria Loboda. Mmmmhhmmmmm, 2016. Exhibition view. Cab de Burgos, Burgos, Spain  Maria Loboda. Mmmmhhmmmmm, 2016. Exhibition view. Cab de Burgos, Burgos, Spain  Maria Loboda. Some weep, some  blow flutes, 2016. The Power Plant, Toronto, Canada. Exhibition view. Photo by Toni Hafkenscheid  Maria Loboda. In The Long Yawn at Some weep, some  blow flutes, 2016. The Power Plant, Toronto, Canada. Exhibition view. Photo by Toni Hafkenscheid  Maria Loboda. Some weep, some  blow flutes, 2016. The Power Plant, Toronto, Canada. Exhibition view. Photo by Toni Hafkenscheid  Maria Loboda. You and I Are Earth at Some weep, some  blow flutes, 2016. The Power Plant, Toronto, Canada. Exhibition view. Photo by Toni Hafkenscheid  MARIA LOBODA.  The Ngombo, 2016. 76 x 61 cm (INCLUDING FRAME). EDITION OF 3 MARIA LOBODA. VISTA DE LA EXPOSICIÓN "THE NGOMBO". 2016. MAISTERRAVALBUENA. MADRID  MARIA LOBODA.  The Ngombo, 2016. 76 x 61 cm (INCLUDING FRAME). EDITION OF 3  MARIA LOBODA.  The Depth Boys, 2016. Variable dimensions  MARIA LOBODA.  The Depth Boys, 2016. Variable dimensions (Detail)  MARIA LOBODA.  The interrupted pillar, 2014. Variable dimensions. Exhibition view at Kunstverein Braunschweig.  MARIA LOBODA. Interbellum, 2013. 100 x 110 x 60 cm. Exhibition view at Kunstverein Braunschweig.  The Beast, 2013. 55 x 38 cm each (framed).  The Beast, 2013. 55 x 38 cm. "Las Fieras". Exhibition view at MNCARS. Madrid  The Beast, 2013. 55 x 38 cm.  The Beast, 2013. 55 x 38 cm.  The Beast, 2013. 55 x 38 cm.  The Beast, 2013. 55 x 38 cm.  The houses are all gone under the sea, 2013. 7 x 28 x 22cm. "Las Fieras". Exhibition view at MNCARS. Madrid  The beautiful banker, 2015. installation at the Sprengel museum. The beautiful banker, 2012. Variable dimensions  MARIA LOBODA. The pursuit of illusions and the dissipation of energy on false choices. Under rare and extreme circumstances, may indicate the revelation of transcendental spiritual truth, 2015. Variable Dimensions  MARIA LOBODA. THE EGYPTIAN BLUE COAT, 2014.Vista de la exposición “Dead Guardian”. Exhibition view at Kunstverein Braunschweig.  MARIA LOBODA. THE EGYPTIAN BLUE COAT (Victory), 2014. 64, 6 X 118, 6 CM. EDITION OF 5  Interupted Serpent, 2014. Variable dimensions. Exhibition view at Kunstverein Braunschweig  MARIA LOBODA. Exhibition view at Kunstverein Braunschweig MARIA LOBODA. Walldrawing (cyanide, arsenic, mercury, lead), 2010. site specific installation. Variable dimensions. Edition of 3 MARIA LOBODA. Property of a Manhattan Collector, 2011. Variable dimensions. Series of 8 texts. Edition of 3  MARIA LOBODA. Pjotr Sorin’s country estate, 2015. Variable dimensions (4,8 cm high each letter) MARIA LOBODA. O U O S V A V V, 2012. 21 x 29.5 cm each one. Edition of 3 MARIA LOBODA. O U O S V A V V, 2012. 21 x 29.5 cm each one. Edition of 3 (dETAIL) MARIA LOBODA. The sentence in its temporary form as glass and pumice, 2012. VARIABLE DIMENSIONS MARIA LOBODA. The sentence in its temporary form as glass and pumice, 2012. VARIABLE DIMENSIONS (Detail) MARIA LOBODA. The sentence in its temporary form as glass and pumice, 2012. VARIABLE DIMENSIONS (Detail) MARIA LOBODA. The messenger (Be aware of the one who appears not to be moving), 2012. VIDEO monocanal MARIA LOBODA. Virtue, 2011. Dimensions variable. Edition of 2 MARIA LOBODA. Perilous seat with a rabbit trap. Perilous seat with a pheasant trap, 2011. Variable dimensions. Each figure: 100 x 143 x 1 cm MARIA LOBODA. The clarinet (useless without the register key), 2011. Clarinet: 65 x 10 x 10 cm. Cushion: 50 x 50 x 15 cm MARIA LOBODA. Peril and the absence of peril, 2011.   40 x 34 cm framed. MARIA LOBODA. This work is dedicated to an emperor, 2012.  View of position 12 at dOCUMENTA (13). Kassel MARIA LOBODA. This work is dedicated to an emperor, 2012.  View of position 9 at dOCUMENTA (13). Kassel MARIA LOBODA. This work is dedicated to an emperor, 2012.  View of position 1 at dOCUMENTA (13). Kassel

Born 1979 in Krakow, Poland
Lives and works in Paris, France

EDUCATION

2003-2008
Interdiciplinary Fine Art Studies at Hochschule für Bildende Künste, Städelschule, Mark Leckey Class, Frankfurt am Main, Germany

2015-2016
Guest lecturer at the Zuricher Hochschule der Bildenden Kuenste, ZHdK, Zurich

SOLO SHOWS

2017
Havoc in the heavenly Kingdom. Maria Loboda. Kunsthalle Basel, Switzerland, curated by Elena Filipovic
I am radiant, I am radiant in my defeat. CAC – Contemporary Art Center, Vilnius, Lithuania, curated by Ula Tornau
Maria Loboda. Institut d’art contemporain Villeurbanne, Villeurbanne, Lyon, France. Upcoming

2016
Mmmmhhmmmmm. CAB (Centro de Arte Caja de Burgos), Burgos Spain
Some weep, some blow flutes. The Power Plant Contemporary Art Gallery, Toronto, Canada
Art Weekend Zuoz, Hotel Castell Switzerland, curated by Alexandra Vlaetter
Domestic Affairs and Death. Maisterravalbuena, Madrid, Spain

2015
Movements that Mattered, permanent site specific installation, Galeria Bunkier Sztuki, Krakow, Poland, curated by Lidia Krawczyk
The pursuit of illusions and the dissipation of energy on false choices. Under rare and extreme circumstances, may indicate the revelation of transcendental spiritual truth, curated by Gesine Borcherdt, CAPRI, Düsseldorf, Germany
Night Conquers Day, curated by Kasia Redzisz and Magda Materna, Contemporary Art. Gallery Bunkier Sztuki, Krakow and Tatra Museum, Zakopane, Poland

2014
The Plutonian House, Mendes Wood DM, São Paulo, Brazil
A Rapid Approach or more likely Departure,bSchleicher/Lange, Berlín, Germany
Dead Guardian, Kunstverein Braunschweig, Braunschweig, Germany

2013
Chalcedony into Onyx, curated by Anna Gritz, one evening event at South London Gallery, London, UK
Las Fieras, Museo Reina Sofia, Madrid, Spain
Frieze Projects, curated by Cecilia Alemani, Randalls Island, New York, USA
General Electric, Andrew Kreps Gallery, New York, USA

2012
The Tempest, Ludlow 38, New York, USA
The Messenger (Be aware of the one who appears not to be moving), Schleicher/Lange, Paris, France

2011
Peril, Maisterravalbuena, Madrid, Spain
Dynamite Winter Palace, Galerie Schleicher/Lange, Paris, France

2010
In the Autumn the Electricity withdraws into the Earth again and rests, Krome Gallery, Berlin, Germany
New thoughts, Old Forms, Bielefelder Kunstverein, Bielefeld, Germany
Liste 15 – The young Art Fair, solo presentation with Schleicher + Lange, Basel, Switzerland

2009
Conversational Style, Galerie Schleicher+Lange, Paris, France

2006
Moderne Ehe, Ritter & Staiff, Frankfurt am Main, Germany

GROUP SHOWS

2017
Giles Round. They bow. Curtain. No applause., Spike Island, Bristol, UK. Upcoming
Si Sedes Non Is, comisariado por Milovan Farronato, The Breeder, Athens, Grece. Upcoming

2016
Completely Something Else, curated by Jacopo Crivelli, Point Centre for Contemporary Art, Nicosia, Cyprus
The Vanished Reality, Modern Art Oxford, curated by Ciara Moloney
The Winter of our Discontent, curated by Jacopo Crivelli Visconti, Galerie Martin Janda, Vienna, Austria
In One’s Own Time, curated by Constantin Thun, Emalin, San Giuseppe delle Scalze, Naples
I Go Where I Don’t Belong, curated by Camille Henrot , Vulcano Extravaganza, Stromboli
The Tarantallegra, curated by Nicoletta Lambertucci, Hester, New York, USA
Buffalo Head: A Democratic Storytelling Experience, curated by Camille Henrot Park Nights Serpentine Gallery, London
A Change of Heart, curated by Chris Sharp, Hannah Hofmann Gallery, Los Angeles
Folly, Dunmore Pineapple Airth, Falkirk, Scotland, curated by Emalin
Contemporary Art from Poland Exhibition at the European Central Bank in Frankfurt am Main in cooperation with Narodowy Bank Polski, curated by Britta von Campenhausen
The Portent of Light, curated by Jaro Varga. Meet Factory. Praga

2015
Dans la Bataille Pense a Moi, Institue d’ art contemporain, Villeurbanne / Rhone-Alpes, France, curated by Magalie Meunier
ArtLine 30 Projects for the Contemporary Park, Milano, Italy, curated by Sara Dolfi Agostini and Roberto Pinto
Moving Image Department, Chapter III, curated by Adam Budak and Jen Kratochvil, National Gallery, Prague, Czech Republic
Stranger than Paradise, curated by Gesine Borcherdt, Sies + Höke, Düsseldorf, Germany
Zehn Räume, Drei Loggien und Ein Saal, curated by Reinhard Spieler, Sprengel Museum Hannover, Germany
Words Aren’t the Thing, CAC, Vilnius, Lithuania
Psychic Lighthouse, The Model, Sligo, Ireland
Trouble in Paradise, Kunsthalle der Bundesrepublik Deutschland, Bonn, Germany
Parliament of things, curated by Nicole Yip, Firstsite, Colchester, UK
The Grantchester Pottery Paints the Stage, Jerwood Space, London, UK
DZ Hosts The Violet Crab: Nights of Cabaret at DRAF, curated by Nicoletta Lambertucci, DRAF – David Roberts Art Foundation, London, UK
132,54 m2, SCHLEICHER/LANGE, Berlin, Germany

2014
Tatra Conference, curated by Kasia Redzisz and Magda Materna, Zakopane, Poland
Lives of Performers, Centre d’art contemporain de la Ferme du Buisson, Marne-la-Vallée, France
Pier 54, High Line, curated by Cecilia Alemani, New York, USA
Taipei Biennial 2014. Taipei Fine Arts Museum, Taiwan
Leaving to come back, curated by Jacopo Crivelli Visconti, Cuenca’s Biennial, Cuenca, Ecuador
Breaking News from the Ether, co-curated by Sébastien Pluot, La Pancée, Centre de culture contemporaine, Montpellier, France
A Bridge between Luxembourg and New York – Edward Steichen Award 2004 – 2014, MUDA M – Musée d’Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg
Abracadabra | Disappear like this word, Galeria Aleksander Bruno, Warsaw, Poland

2013
Because the world is round, it turns me on, curated by Clara Meister, Arratia Beer, Berlin, Germany
The things we know, curated by Tim Saltarelli, Henningsen Gallery, Copenhagen, Denmark
Girls can tell, GAK-Gesellschaft für aktuelle Kunst, Bremen, Germany
AB, curated by Gabriele de Santis, Nomas Foundation, Rome
Champs Elysées, curated by Julie Boukobza, Simon Castets and Nicola Trezzi, Palais de Tokyo, Paris, France
Entre lo fugitivo y lo infinito, Maisterravalbuena, Madrid, Spain
There’s no place like home, Westfälischer Kunstverein, Münster, Germany
I Know You, Irish Museum of Modern Art, Dublin, Ireland
Revolution from Within, Kaufmann Repetto, Milan, Italy
Ground. Materiality nº2 (earth), curated by Brigitte Kirkhoff, Sorø Kunstmuseum, Sorø, Denmark
Archeology of Memory, curated by Birgitte Kirkhoff, Sorø Kunstmuseum, Sorø, Denmark

2012
Courtesy of the artist, Libelle, curated by Alexandra Baudelot, Cneai, Paris, France
Castle in the Air, curated by Adam Budak, Zamek Poznan, Poznan, Poland
Art by Telephone… recalled (touring exhibition), curated by Sébastien Pluot and Fabien Val, Cneai, Paris, France; CAPC, Emily Harvey Foundation, New York, USA, ESBA TALM site D’Angers, EBABX Bordeaux, Bernard College, Columbia University San Francisco Art Institute, USA.
Estate, curated by Lucie Fontaine, Marianne Boesky Gallery, New York, USA
Le fond de l’aire effraie, curated by Camille Henrot and Lou Svahn, Grand Tour Biennale de Belleville, Atelier Camille Henrot, Paris, France
A Guide to Insults and Misanthropy, curated by Clara Meister, Ludlow 38, New York, USA
Soundworks, ICA, London, UK
dOCUMENTA (13), curated by Carolyn Christov-Bakargiev, Karlsaue, Kassel, Germany
Coded Transmission, Schleicher/Lange, Berlin, Germany
The Exact Weight of Lightness, curated by Thom O’Nions and Ana Luiza Teixeira de Freitas, Travesia Cuatro, Madrid, Spain
Objekty I Dezintegracje, curated by Patrycja Rylko, Galeria Miejska,Gdanks, Poland
(entre)ouverture, curated by Daria de Beauvais, Palais de Tokyo, Paris, France
Objects and Disintegrations, curated by Patrycja Rylko, Galeria Miejska, Gdansk, Poland
Into the Woods, curated by Daria de Beauvais, Galerie des Galeries, Paris, France

2011
Èchos, Musée Nissim de Camondo, Paris, France
Livret III, curated by IrmaVepClub, Motive Gallery, Ámsterdam, The Netherlands
Abstraction and Storytelling, curated by Joana Neves, Marz Galerie, Lisbon, Portugal
Constitution of the Damned, curated by Bárbara Rodríguez Muñoz and Fatima Hellberg, Landings Project Space, Vestfossen, Norway
Based in Berlin 2011, curated by Angelique Campens, Fredi Fischli, Magdalena Magiera, Jakob Schillinger, Scott Cameron Weaver, Berlin, Germany
Lake of Fire, curated by Mikkel Carl, Den Frie Udstillingsbygning, Copenhagen, Denmark
Fragmentations: Trajectories contre Nature, curated by Sébastien Pluot, Domaine Départamental de la Garenne Lemot, Gétigné – Clisson, France
Récits anamorphiques, Frac Pays de la Loire, Carquefou, France
Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne, curated by Latitudes, Galerie Meessen Declercq, Brussels, Belgium
Somiglianze non sensibili, curated by Cecilia Canzani, Galerie Opdahl, Berlin, Germany
All that is unseen, curated by Meg O’Rourke and Caris Reid, Allan/Nederpelt Gallery, New York, USA
Livret I, curated by IrmaVepClub, Galerie Schleicher+Lange, Paris, France

2010
New Frankfurt Internationals: Stories and Stages, MMK – Museum für Moderne Kunst, Frankfurter Kunstverein, Städelschule, Frankfurt am Main, Germany.
Somiglianze non Sensibili, curated by Cecilia Canziani, Galerie Opdahl, Stavanger, Norway
Temporary Gallery presents Schleicher/Lange, Temporary Gallery, Vienna, Austria
Stories and Stages: The new Frankfurt Internationals, Frankfurt am Main, Germany
Abschüssige Heiterkeit, Galerie Jacky Strenz, Frankfurt am Main, Germany
The plurality of one, monitor gallery, Rome, Italy
The Long Dark, curated by Michelle Cotton, Kettles Yard, Cambridge, UK
Space adventure, curated by Alexander Wawrzyniak and Julia Wielgus, Villa Lentza, Szczecin, Poland
Es werde dunkel!, Kunstmuseum, Mühlheim an der Ruhr /Stadtgalerie Kiel, Alemania
Two tales / degli spiriti / other activities, IMO Projects, Copenhagen, Denmark (with Lasse Schmidt Hansen)

2009
The long dark, curated by Michelle Cotton, Hatton Gallery, Newcastle-Upon-Tyne, UK
The long dark, curated by Michelle Cotton, International 3, Manchester, UK
Paper moon, Sommer & Kohl, Berlin, Germany
The object of attack, Part 1, curated by Vincent Honoré, David Roberts Foundation, London, UK
Euphoria left the Room, curated by Judith Schwartzbart, Scion Installation L.A, Culver City, USA
Es werde dunkel! Nachtdarstellungen in der Zeitgenössischen Kunst, (touring exhibition), Städtische Galerie, Bietingheim-Bissingen, Germany
2nd Athens Biennale – “Heaven”, invitation by Chus Martínez, Palaio Faliro, Athens, Greece
Dynamo-Eintracht scholarship, Dresdner Bank – Raum für Kultur, Frankfurt am Main, Germany
Dynamo-Eintracht scholarship, Galerie Doppel De, Dresden, Germany
From the corner of the eye – the extra-infra-ordinary, Galerie Schleicher/Lange, Paris, France
It’s raining men, Christina Wilson Gallery (invited by Simon Dybbroe Møller), Copenhagen, Denmark
Das Ende des Interieurs, curated by Antonia Low, WestGermany, Berlin, Germany

2008
No way out, Anna Helwing Gallery, Los Angeles, USA (with Matilde Rosier)
Dogtooth and tessellate, curated by Michelle Cotton and Emma Robinson, the Approach E2, London
The Great Transformation – Art and Tactical Magic, Marco, Museo de Arte Contemporáneo, Vigo, Spain
The Great Transformation – Art and Tactical Magic, Frankfurter Kunstverein, Frankfurt am Main, Germany
Ende 2008, graduation show, Städelmuseum, Frankfurt am Main, Germany
A rictus grin, curated by Anke Kempkes and Christopher Eamon, Broadway 1602, New York, USA
The soft shields of pleasure, curated by Soren Andreasen, Den Frie Udstillingsbygning, Copenhagen, Denmark
Fais en sorte que je puisse te parler – Mache, dass ich zu dir sprechen kann, Galerie Kamm, Berlin, Germany

2007
Freie Liebe, Center Berlin, Germany (with Lin May)
L’Homme Nu Vol.3, curated by Aurélie Voltz, Centre d’Art Mira Phalaina, Maison Populaire, Montreuil, France
Ok. Quoi?!, Contemporary Arts Festival, Struts Gallery, Sackville, Canada
Mystic Truths, curated by Natasha Conland, Auckland Art Gallery Toi o Tamaki, Auckland, USA
We stopped in the Colonnade, hotel, London, UK
Aufzeichnung 1-3, atelierfrankfurt, Frankfurt am Main, Germany
Whenever it starts is the right time, Frankfurter Kunstverein, Frankfurt am Main, Germany
18. Bundeswettbewerb, Kunst- und Ausstellungshalle, Bonn, Germany

2006
Attitude, curated by Lars Bang Larsen, c/o Atle Gerhardsen, Berlin, Germany
Deep into the darkness peering, Galerie Kamm, Berlin, Germany
Making of…, Casino Luxembourg, Luxemburg
Pigment, Piano, Marble, curated by Mandla Reuter, maipu 327, Buenos Aires, Argentina
Objet à part, curated by Bettina Klein, La Galerie, Centre d‘Art Contemporain, Noisy-le-Sec, France
Sophie Marceau, galerie F.A.I.T, Krakow, Poland

2005
Academy Remix, Museum of Kosovo, Prishtina, Serbia-Kosovo
Academy Remix, Portikus, Frankfurt am Main, Germany
Dream Universe, Portikus, Frankfurt am Main, Germany

GRANTS/SCOLARSHIPS/AWARDS

2012
Edward Steichen Art Award for New York City, Luxembourg, Luxembourg
International Residency at Les Recollets, Paris, France

2011
Scholarship by the Cultural Foundation of Hessen for London

2009
Dynamo-Eintracht, Scholarship of Kulturstiftung Dresden/ Dresdener Bank

2006
Dellbrück Bethmann Privatbank Prize

BIBLIOGRAPHY

2016
Choose you own adventure, text by Maria Loboda y Camille Henrot, published by Gagarin, no. 32-The artists in their own words, p. 40

2015
Nie Jestesmy juz wyrzuutkami. Rozmowa z Maria Loboda, text by Arkadius Poltorak, published by Art Magazine Szum, digital edition. 02-11-2015
Czary Marii, text by Piotr Zachara, published by Harper’s Bazaar Poland, November 2015
Frieze Master, published by frieze magazine, no. 172
Above & Below, Decoding Maria Loboda’s enigmatic archeology, text by Amy Sherlock, published by frieze magazine, no. 172, p.116-121

2014
Maria Loboda: How do we get out of all this darkness?, published by Kunstverein Braunschweig e.V., Mousse Publishing

2013
Maria Loboda: General Electric, text by Karen Rosenberg, published by The New York Times, 24.1.2013

2012
Maria Loboda / Nervous Situations, published by Fluor Magazine on Contemporary Culture, Issue #4, autumn 2012, Madrid, Spain, p.96-110
Maria Loboda / Design and Composition in patterns, text by Daria de Bauvais, published by Libelle 17° – Rosascape edition, September 2012, Paris
Oh, Wilderness, monographic catalogue, published by Sternberg Press, Berlin
Maria Loboda, Introduction, text by Daria de Beauvais, published by Artpress, Nr. 393, Paris, p. 61-63
Maria Loboda, Militärische Vernunft, Beleidigungen und Arts & Crafts, text by Pablo Larios, published by frieze d/e magazine, No. 6, Berlin, p. 114-115
Maria Loboda, text by Javier Hontoria, published by Art forum, Review, January 2012
Zurück in die Zukunft, text by Matthias Ulrich, published by schirn-magazin.de, 25.9.2012
dOCUMENTA (13) – Highlights, published by art magazin – special, 2012, p.8-9
Maria Loboda, exhibition catalogue 2012, published by dOCUMENTA (13), p.274

2011
Maria Loboda, text by Magdalena Magiera and Scott Cameron Weaver, in Based in Berlin, exhibition catalogue, published by Kulturprojekte Berlin
Dynamite Winter Palace, published by Cura Magazine online, May 2011
Maria Loboda, text by Laura McLean-Ferris, published by ArtReview, March 2011
In Conversation with Maria Loboda (In conversazione con Maria Loboda), text by Michelle Cotton, published by Cura Magazine, N. 7, winter 2011, p. 90-96

2010
Creamier Contemporary Art in Culture, text by Chuz Martinez, published by Phaidon Press, London
Maria Loboda. New Thoughts, Old Forms, text by Thomas Thiel, published in Benedikt Hipp/Maria Loboda, exhibition brochure, 8.5. – 18.7.2010, Bielefelder Kunstverein, p. 14-23
Maria Loboda, text by Corine Giraud, p. 4, published by Artline, June 2010
Abschüssige Heiterkeit, text by Christoph Schütte, published by Frankfurter Allgemeine Zeitung, Kultur, 15.8.2010
The Long Dark, text by Martin Vincent, published by Art Monthly, December/January 2009/2011

2009
Maria Loboda, text by Emmanuelle Lequeux, published by Le Monde, 4.7.2009
Maria Loboda, text by Judith Schwarzbart, published in Euphoria left the Room, Scion Installation L.A., Culver City
2009, p. 20-21
Maria Loboda, text by Anaël Pigeat, published by Artpress, No. 360, October 2009, p. 27
Maria Loboda, Conversational Style, text by Lison Noël, published by Paris-Art.com, June 2009
Maria Loboda, Conversational Style, text by Emily Verla Bovino, published by artforum.com, 15.6.2009
Maria Loboda, Conversational Style, published by Le Monde, August 2009
Maria Loboda, published by theparisian.com, 1.6.2009
From the corner of the eye. The extra-infra-ordinary, text by Lison Noël, published by Paris-Art.com, February
From the corner of the eye, text by Emmanuelle Lequeux, published by Le Monde, 2.3.2009
Maria Loboda, in Younger than Jesus, Artist Directory, New Museum, New York, published by Phaidon Press, London 2009
The Apartment, monographic catalogue, published by Diamondpaper, Berlin
Athens Biennal Heaven, exhibition catalogue, published by Athens Biennal
Dogtooth and Tessellate, published by Art Monthly, February/March 2009
A Rictus Grin, text by Holland Cotter, published by New York Times, 15.8.2009

2008
Dogtooth and Tesselate, text by Emma Robertson, published by The Approach, London 2008
A Rictus Grin, published by Broadway 1602, New York
The Great Transformation – Kunst und taktische Magie, text by Katja Schroeder, exhibition catalogue, Frankfurter Kunstverein, 7.6. – 7.9.2008, p. 160-166
The Great Transformation, text by Amanda Coulson, published by frieze, issue 118
Mystic Truths, exhibition catalogue, October 2007, p. 76-80
The soft shields of pleasure, exhibition catalogue, Space Poetry, Den Frie Udstillingsbygning, Copenhagen,
The soft shields of pleasure, published by Politiken Newspaper, June 2008
Reading Room “Transcendental Pop”, text by Lars Bang Larsen, published by A Journal of Art and Culture, issue 12, Auckland Art Gallery, p. 74-76
L’homme nu, exhibition catalogue, Centre d’art Mira Phalaina, Maison Populaire, Montreuil
Maria Loboda, published by Frankfurter Kunstverein, Mai 2007, p. 47
Site Magazin, Artist Magazin, Site Gallery
Aufzeichnung 1-3, exhibition catalogue, published by Atelierfrankfurt, Frankfurt am Main, and Artpol, Krakow
Act, so I can speak to you, text by Ariane Beyn, published by artforum.com, 28.3.2008

2007
Free Love, Paris-Art.com, 2007
Maria Loboda, What Will Happen?, text by Fatos Ustek, in Whenever it starts is the right Time, exhibition catalogue, Frankfurter Kunstverein
The Other Side, text by Lars Bang Larsen, published by frieze, Issue 106, April 2007
Attitude, text by Lars Bang Larsen, published by c/o Alte Gerhardsen, 2007
The Imaginary Museum, published by Monopol Magazin, 2007
Whenever it starts is the right Time, exhibition catalogue, published by Revolver, Frankfurter Kunstverein
Mystic Truths, exhibition catalogue, published by Auckland Art Gallery Toi O Tamaki

2006
Pigment Piano Marble, artist catalogue, published by Revolver, September 2006
Objet à Part, text by Corinne Buchon, published by La Galerie – Centre d‘Art Contemporain, Noisy-Le-Sec, 2006
Objet à Part, text by Chris Sharp, published by frieze, Issue 103, November/December 2006

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